The Inca lets Pizarro stroke his tunic. A crude adventurer in armor, touching
the Offspring Of The Sun Itself.
I said to him, Inca, of what is a robe as soft as this mayde? He explained
it was frome the skins of vampyre bats
that flye at night in Puerto Viejo & Tumbez & which feede upon the natives.
Sacred was the Inca's spittle:
women of noble families were employed to catch it in a cloth, lest the ground
should not defile it. Later,
the Sun God is garroted, a Dominican priest thrusting a crucifix into his hand
before the noose is tightened. Later,
an Andean mountainside is honeycombed with nitro to blow up & extract its gold.
Later, an oil rig catches fire
in the Gulf outside Biloxi, killing eleven. Later, Phil Spector points a very large
pistol at Dee Dee Ramone & his guitar.
He is producing the album The End of the Century & seeks for eight hours
to extract the opening chord
of "Rock and Roll High School." From the mummified head of a rival,
the Inca commanded
a drinking goblet to be fashioned, the refreshment emerging from
a spigot in the mouth.
In "Be My Baby," Spector's storied Wall of Sound is comprised of sleigh-bell,
castanet, full orchestra & the Ronettes
in beehive hairdos, who are less four mixed-race girls from East LA
than noblewomen chosen
to retrieve the Sun God's spit. Take 135. To accessorize his tailored suits, Spector
kept a cache of pistols in the way
that other men keep ties. Bling & Rolex, a ruby-studded coke spoon
swaying his pallid throat.
& in the suburbs this morning a trio of my neighbors armed with handguns
stalk a rabid raccoon,
zigzagging dogwood & azaleas, the neighborhood children in tow, maintaining
respectful distance. From a hedge
the creature darts out; the briefcase man my neighbor aims his pistol.
A froth of blood, a second shot
against the head. Four states south there are plans to ignite five hundred miles
of oil-bespattered water
Even the Inca's table scraps were holy relics & warehoused in camphorwood
trunks. My neighbor pokes the bloated stomach
with a stick. I am coming to believe the Gnostics were right; insatiable &
shameless is the Demiurge,
though ably do we serve Him. The cocked .44 increases not His grandeur,
though a temple-psalm results in the form
of a minor song within the corpus of four pretend-brothers in leather jackets.
Once more we sift the mountain's rubble,
extract the nuggets, golden fillings, the rooms overflowing with valises, shoes &
hair. The face on the goblet will be hewn into a smile.
O Fearsome One, look upon us as we linger by the flowerbeds, making small talk
as the joggers & the mothers
pushing strollers file by. On cable we will view the oil rising miles to a sky
turned blue-black in the fashion of a bruise.
Factotums all, we rise at dawn to creep into the cave where our quarries slumber.
Razor-fanged, blind. The huge ears
tremble at our step, a dainty dish to set before the Firstborn Of The Sun.
We club, we net, we shake them lifeless
in our woolen sacks, careful to leave the pelts undamaged.
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Spring Feature 2012
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Feature
- Poets in Person Claudia Emerson and husband Kent Ippolito in Fredericksburg, VA
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Music
- Cornelius Eady "I Need a Train", words and music by Cornelius Eady
- Claudia Emerson "Shot Her Dead", words and music by Claudia Emerson and Kent Ippolito
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Poetry
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Book Review
- David Rigsbee reviews Secure The Shadow
by Claudia Emerson
- David Rigsbee reviews Secure The Shadow