Junk fish, made of garbage and black silt,
mud given breath, if it were ever so,
I lay on my stomach beside the stream
and watched them glide in the current, then go
bounding like grasshoppers when the light changed,
casting lacy shadows on the bottom.
Fish common as dirt, big-lipped and hungry,
mouths made, like vacuum cleaners, to suck scum
from rocks and scour the sand clean. Sometimes
they'd roll their flanks up and their tiny scales
would catch the sun, throwing off a yellow
light, a dirty, magnified gold through curls
of water spreading easily across
the surface of a brook. We'd call them
Golden Shiners then and thought this dim flash
a signal, though for god knows what. They'd swim
in nervous, glittering schools, their red fins
folding and unfolding, translucent tail
sweeping one way, then the other, holding
them afloat. We'd use them for bait, impale
them underneath the dorsal fin, or stick
the hook from lip to lip locking their jaws
shut, free enough to wiggle there like sin
in the blue depths of a lake. And because
we were children, we thought nothing of death.
Certainly not these, plentiful and cheap.
We caught them by the hundreds in our traps
and always there were more, as if the deep
water bred them like grass or drops of rain,
not really singular, not selves like us,
but things to cast into the dark, countless
and expendable. And without remorse
the big fish, northern pike or bass, would seize
them in a frenzy of greed, gluttony
that thrilled us, surged up our arms into hearts
that beat like pistons, mad with sympathy.
And all the time, beneath us in the weeds,
the mud gave up another host of dace,
black splinters of oblivion, without
regard, without an essence or a face.
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Spring Feature 2014
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Feature
- Kurt Brown A Photo Tribute
- Kurt Brown Excerpts from his "Notebook"
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Poetry
- Laure-Anne Bosselaar
- Lee Briccetti
- Wyn Cooper
- Stephen Dunn
- Richard Garcia
- Janlori Goldman
- Andrey Gritsman
- Kamiko Hahn
- Steve Huff
- Meg Kearney
- Eugenia Leigh
- Thomas Lux
- Laura McCullough
- Christopher Merrill
- Kamilah Aisha Moon
- Martha Rhodes
- David Rothman
- Harold Schechter
- Charles Simic
- Tree Swenson
- Charles Harper Webb
- Marty Williams
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Essay
- David RigsbeeOn Kurt Brown, An Appreciation
Feature > Poetry
In "Dace," Kurt's craft is wonder-full and understated—the easy stride of his syllabics, the perfect and slant rhymes (bottom/scum, tail; impale, jaws/because, scales/curls); the constellation of sounds within and across lines (fin/stick/lip/lip, rocks/scour/flanks/scales, seize/frenzy). Of course, this is a great part of the pleasure. Also across the whole collection, I listen to his personal philosophy in the making. In "Dace," in the melancholy tone in reminiscing boyhood fun (and a kind of unconscious cruelty), there is the sense of anonymous things arising from "mud," literally, figuratively, and, as the ancient philosophers thought, by spontaneous generation. I love this messiness. I love that there is such Beauty in this mud. This anonymity. This oblivion.