when the alarm is to call
just before the purr of water
rolls to boil, in the moment
you can still make out the sun
on the plane of trees, when
I almost forget what it was
to cross the Golden Gate Bridge
in that mini-van on our way
to Point Reyes, I catch myself.
Time had its way. When cellos
begin I'm afraid you might be
in Saskatchewan, where I have
no intention of ever arriving.
-
Issue 55
-
Editor's Note
-
Poetry
- Abayomi Animashaun
- Justin Skylar Belote
- Brenda Butka
- Melisa Cahnmann-Taylor
- MRB Chelko
- Marcus Civin
- Susan Comninos
- Rebecca Cook
- William G Davies Jr.
- Russell Susumu Endo
- Victoria Givotovsky
- Ashwin Kannan
- Anja Konig
- Leonard Kress
- Tim B Muren
- Jeffrey Perkins
- Gretchen Primack
- Billy Reynolds
- Austin Smith
- Joseph Stanton
- David Thacker
-
Fiction
Issue > Poetry
In The Next Gallery
I say, let's plant a farmlet rows of corn,
cukes, tomatoes, and winter squash weave
the concrete floor. Raise soil into beds
with wood walls. Crack the ceiling until rain
finds a way in. Open blue sky here
in the center of the sheetrocked cathedral.
We can invite the city on embossed invitations.
Tents in the new wing for whomever stays
the night. In the late hours you and I can escape
to the sea compartment and taste dark salt.
So many lovers we won't meet. Horses left
unrode. Language tapes boxed in the basement.
It's always in other rooms. Your collarbone
under my hand. My air inside your lungs.
cukes, tomatoes, and winter squash weave
the concrete floor. Raise soil into beds
with wood walls. Crack the ceiling until rain
finds a way in. Open blue sky here
in the center of the sheetrocked cathedral.
We can invite the city on embossed invitations.
Tents in the new wing for whomever stays
the night. In the late hours you and I can escape
to the sea compartment and taste dark salt.
So many lovers we won't meet. Horses left
unrode. Language tapes boxed in the basement.
It's always in other rooms. Your collarbone
under my hand. My air inside your lungs.