My mother is scissoring strips of paper bag,
fringing the edges, stapling layers of feathery brown
to an old
jacket, then, rings glinting on her wedding finger,
whisks the scissor up each ribbon of fringe, tricks it
to curl, to turn
my brother into an owl. It's fall in the late
sixties. Late afternoon. She zips him in. Thirty
years later
it's a sudden rush into another fall. You can see it
in the invisible
exclamation points shooting through everything:
Wind! Trees! Shaky mums! The city's lousy with
academics!
a man on Houston St. says to what appears to be his
date. Suddenly it's cold
to dine outside. In the open window of Paradise Thai
two women lean across their flickering
candle, glasses of bright wine. A chilly tableau
framed by night, a lustrous couple
of inscrutable statues, pineapple crowns rising into
spires. At this point everything is still
possible. I wish they could see this. The moonlit
spires. Their lustrous doubles.
Every time, every single time I've followed desire,
my friend said last night, pressing her palms on my
kitchen table, every time:
Disaster. Its late. The babysitter will be fifty
dollars.
Moon! Time! Fifty dollars! What an expensive movie.
Sometimes we walk out of ourselves, blinking into the
indifferent
light, pulling our sweaters tighter, unprotected,
regressed from our time
in the dark, the crowd snaking through the lobby,
watching us, eager to enter
what we have left. We're always waiting for the next
thing
to change us. Facelifts, my ex-husband said last week,
are the new cure
for migraine. Light flickered its misty nimbus, his
face breaking up. I held my head.
Jews have over twenty-five words for schmo, I said,
apropos
of nothing. After so much pain, imagine
we can laugh. Though if you think in anagrams,
parades and drapes, diapers, rape, despair and aspire
all come out of paradise.
What was my mother thinking
as she made my brother an owl, as an ordinary man
and woman leaned toward one another at a railway
station table, away
from their marriages, across our TV screen, entering
the movie, heading into, then averting, perhaps,
disaster. Perhaps.
We feel change coming. Season of exclamation points.
Fringy mums shaking their yellow frazzle!
Last week, still summer, the young attendant in the
designer jeans store
held out our change, announced (sneak preview!) the
world
will end in 2012. According to the Mayan calendar.
So we might as well, he said, keep drinking the plastic
bottles of Poland Spring. Well, it's a doggy-dog world
as my sister says. My friend throws up her arms,
waves her bag of jeans. Her free alterations. Look
how much we've done
in just a few minutes! Look how we wait
for something to change us: love, jeans, a "Train of
Thought"
hanging in the subway car: As Gregor Samsa awoke one
morning
from uneasy dreams he found himself
transformed, etc. What did he dream? Did we find out?
Why remember the creature but not the dream?
What was my brother thinking as he flapped and whoo'd
across that stage? Whoo whoo whoo, he hooted for days.
Whoo whoo whoo
-
Winter Feature 2009
-
Feature
- Poets in Person A walk through Philip Levine's Brooklyn (HD Video)
-
Interview
- Philip Levine Our Questions for Phil: An Interview
-
Poetry
-
Book Review
- David Rigsbee reviews News of the World
by Philip Levine
- David Rigsbee reviews News of the World