They say the best ones stay forever,
no matter how skittish, how wild-eyed
and restless their stall mates, the horses
they're meant to calm. Entering
the pen, the goats draw out
the twitching dark poison, work
quietly to free mile after mile
of glistening horsehide
from the hard tug of fear and longing,
the animal need to run in all directions
at once, to be nowhere and to be
everywhere in the world. See
the short gait that never matches
long strides, the strange rectangular
pupils, bright sideways slits
soothing these hot beasts
quivering with singular talents.
When she leaves you, remember
it's no one's fault. No love will
ever hold her, no devotion
will be nearly enough.
-
Issue 83
-
Editor's Note
-
POETRY
- Tory Adkisson
- Cynthia Atkins
- Simon Anton Niño Diego
Galera Baena - Daniel Barnum
- Nathan Blansett
- Julie E Bloemeke
- Daniel Bourne
- Jo Brachman
- Conor Bracken
- Christopher Citro
- Mary Crow
- Andy Eaton
- Jennifer Franklin
- Janlori Goldman
- Jose Hernandez Diaz
- Alison Hicks
- Michael Homolka
- Rogan Kelly
- Peter Kline
- Rodney Terich Leonard
- Thomas Mampalam
- Laura Marris
- Michael Montlack
- Amanda Moore
- Tanya Muzumdar
- Guimarães / Olsen
- Simon Perchik
- Sarah Perrier
- Megan Pinto
- Deborah Pope
- Denzel Xavier Scott
- Leona Sevick
- José Sotolongo
- Page Hill Starzinger
- Memye Curtis Tucker
- Laura Van Prooyen
- Hilary Varner
- John Sibley Williams
- Stella Wong
-
BOOK REVIEW
- Clara Burghelea reviews Word Has It
by Ruth Danon - Kim Jacobs-Beck reviews Civil Bound
by Myung Mi Kim - Lindsay Lusby reviews Eve and All the Wrong Men
by Aviya Kushner - David Rigsbee reviews The Anti-Grief
by Marianne Boruch
- Clara Burghelea reviews Word Has It
-
INTERVIEW
- Ruth Danon interviewed by Shauna Gilligan
Issue > Poetry
End of Days
Honey, this shouldn't be hard.
You've been weighing
this question for months,
twisting over it. Just picture
the end of days, horses
of every color: white, fiery
red, black and the pale
one that death straddles
with real pleasure. Now look how
the other riders drive them,
the sword-wielding lot
that won't scruple earthquakes,
blackened sun, the bloodied moon
like stains on your favorite
linen sheets. Look there
the mountains and islands
forced from their original
foundations, those fat cats and
their no good brethren
smashed to pieces. It is
the rapture of the bride
upon you, the trumpet call
dragging you toward
oblivion. There remains
just this single question: whose
face do you see in those last
moments? The second
you walk through that cloudy
veil, whose hand are you
holding? No. Clawing.
You've been weighing
this question for months,
twisting over it. Just picture
the end of days, horses
of every color: white, fiery
red, black and the pale
one that death straddles
with real pleasure. Now look how
the other riders drive them,
the sword-wielding lot
that won't scruple earthquakes,
blackened sun, the bloodied moon
like stains on your favorite
linen sheets. Look there
the mountains and islands
forced from their original
foundations, those fat cats and
their no good brethren
smashed to pieces. It is
the rapture of the bride
upon you, the trumpet call
dragging you toward
oblivion. There remains
just this single question: whose
face do you see in those last
moments? The second
you walk through that cloudy
veil, whose hand are you
holding? No. Clawing.