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Issue 83
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Editor's Note
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POETRY
- Tory Adkisson
- Cynthia Atkins
- Simon Anton Niño Diego
Galera Baena - Daniel Barnum
- Nathan Blansett
- Julie E Bloemeke
- Daniel Bourne
- Jo Brachman
- Conor Bracken
- Christopher Citro
- Mary Crow
- Andy Eaton
- Jennifer Franklin
- Janlori Goldman
- Jose Hernandez Diaz
- Alison Hicks
- Michael Homolka
- Rogan Kelly
- Peter Kline
- Rodney Terich Leonard
- Thomas Mampalam
- Laura Marris
- Michael Montlack
- Amanda Moore
- Tanya Muzumdar
- Guimarães / Olsen
- Simon Perchik
- Sarah Perrier
- Megan Pinto
- Deborah Pope
- Denzel Xavier Scott
- Leona Sevick
- José Sotolongo
- Page Hill Starzinger
- Memye Curtis Tucker
- Laura Van Prooyen
- Hilary Varner
- John Sibley Williams
- Stella Wong
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BOOK REVIEW
- Clara Burghelea reviews Word Has It
by Ruth Danon - Kim Jacobs-Beck reviews Civil Bound
by Myung Mi Kim - Lindsay Lusby reviews Eve and All the Wrong Men
by Aviya Kushner - David Rigsbee reviews The Anti-Grief
by Marianne Boruch
- Clara Burghelea reviews Word Has It
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INTERVIEW
- Ruth Danon interviewed by Shauna Gilligan
Issue > Poetry
I Am
apparently lost
at
locating
wherever
they expected I
would go;
I confuse
cardinal directions,
hardwood species, vegetation
zones, blooming
periods. . .
They rise and vanish in oblivious host.
Here is the question—
my question: can I find the wet moss on granite
can I find the scent of mountain
ferns damp emerald
luminous in the dark silvered dusk bird singing
near the worn red barn while small pines frost shattered
gnarled slant into bedrock
against hillocks?
*
Humiliation
is the Buddha's first noble truth.
*
After he was naked
and scorned,
Richard III—
buried under monastery, later municipal parking lot—
disappearing none cares or knows
500 years. Into the nothingness . . .
Into the living sea of waking dreams.
Roman nail
lodging slowly
into his curving vertebrae. Grave
forsaken,
until now.
XX
Told to be self aware,
Nice. What comes to mind
is flaw—
700 years old, it first meant flake
of snow, spark
of fire, fragment
gone astray.
On Facebook, men say it's ok
to use our father's name
but not our mother's—no way,
it brings us ridicule and embarrassment—
and gradually over time her name is forgotten:
only mother of the oldest son.
Flake from some Low German fishing net.
Wattled hurdle. Frame or
rack.
And ethicists want to set up inherent limits
on how much humankind
should alter nature.
So we scramble after
Canada snow geese
during molting to harvest
fallen feathers for
harpsichord quills.
Drifting through Earth's atmosphere
scattering light
through imperfections:
small crystal facets
super-cooled,
complex,
no two (isn't that nice) the same.
Vocal Balance
Did you know the earth hums?—
as in a vibratory body responding
in harmonic likeness. Perhaps
because it expands and contracts slightly
all the time or perhaps it's—just—the slap of ocean waves.
We don't know
yet. Above me,
the sound of feet pacing
on the ceiling—grey and sooty, overcast:
as if the inhabitant likes to swing a pendulum and has a plan.
Facing the mirror in front of me, seeing not myself but my
mother, a cellular song braiding and unwinding
around a moment, this and many others.
Ensorcelling—as much about
arrival, as anything else. As in
Old Occitan arribar (11th cent.),
language
of troubadours. E'sôrsəl.
When John Cage visited
an anechoic chamber, he expected silence but heard two sounds,
one high—his nervous system—and one low—
his blood circulation. We are ambient, though:
my spinal discs
cantilevered, irregularly. I
read that mountains are shaped as much by erosion—raindrops, even—as
by tectonic plates. It is most certainly the end of something.
Tell me, my
matrilineal mitochondrial DNA: what
are the stories embedded there? Is there a way
to hear what's coming?—even
the clef: the pitch
of the stave.