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Issue 70
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Editor's Note
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POETRY
- Laure-Anne Bosselaar
- Mark S Burrows
- Jari Chevalier
- Matt Daly
- Martin Jude Farawell
- Maeve Kinkead
- Jack Kristiansen
- Edgar Kunz
- Dallas Lee
- Mike Lewis-Beck
- Laura Marris
- Bruce McRae
- John Minczeski
- Muriel Nelson
- Greg Nicholl
- Todd Portnowitz
- Wesley Rothman
- D. E. Steward
- Laura Swearingen-Steadwell
- Bruce Taylor
- Zg Tomaszewski
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FICTION
Issue > Poetry
Still Life
is what it is, as in this
glazed Italian bowl:
one apple with a
single wrinkled leaf
clinging to the stem,
a twist of gnarly ginger,
and two shining
ripe lemons.
Still life is just what
it is, despite
our strongest longings
and deepest fears:
it is not indifferent
to us, and does
not wait for some gesture
of assent to form
in the mind's deep,
but simply
keeps what is still life,
as rain to earth,
as cloud to wind,
grass to field,
as hope to heart.
In Answer
The part of art which is art, and not
device, unshackles us from usefulness almost
entirely.
—Jane Hirshfield
A single
black-capped
chickadee sings
somewhere,
hidden
from sight,
her bursts
of song
falling
into silences
that linger
from the deep
of night.
Her music
rises like a
bright thread
of light
woven of
the fabric
of sleep.
She doesn't
wait for eye
to see or ear
to hear,
shaping
her voice
without regard
for audience,
her song
pointing
beyond
every
notion of
purpose we
can know,
in answer
only to the
coming
day and
to delight.